Kristina Chan’s works are a culmination and accumulation into site specific history to depict socio-cultural entropic narratives. They explore the correlation between architecture and sculptural landscapes of derelict and disused spaces. Chan seeks sites where the intersection between function and intention have fallen into decline and disrepair, where untold histories recount themselves, in all their brevity, satire, beauty, and collapse.
Chan is a graduate from Royal College of Art MA Print, trained in analogue and digital photography, lithography, etching, screen print, and digital media manipulation. Her work has been widely exhibited including Musée du Louvre, Royal Academy of Fine Art Antwerp, Mall Galleries London, Royal Scottish Academy, Anise Gallery London, Lyon and Turnbull Auctioneers, Project 88 Mumbai, and Idio Gallery, New York, to name a few.
She has participated in numerous art and publishing fairs including Artrooms London (Jan 2018), NEU NOW Amsterdam Online (Sept 2017), 4th Edition Hidden Door Arts Festival Edinburgh (May-June 2017), 1st Edition KoMASK Masters Printmaking Salon Antwerp (April 2017), Offprint TATE, TATE Modern (May 2015/2016), Small Press Projects, UCL Slade, London (February 2016), Artists’ As Independent Publishers Symposium touring the Museum für Moderne Kunst Bremen, Germany; Mindepartementet Museum of Art and Photography, Stockholm, Sweden; and Rom8 Gallery in Bergen, Norway; The Dyson Gallery London, UK; University of Applied Arts Archives Vienna, Austria; throughout 2016.
Kristina Chan, Exhibit A, Anise Gallery 2018